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Classical antiquities Destruction and pillage Cultural property Repatriation California Malibu Cultural property Repatriation Italy J. Paul Getty Museum Corrupt practices Neoclassicism (Art) Outerbridge, Paul Exhibitions Photography History Photography, Artistic Exhibitions Realism in art RomanticismFilter By Series
Images a celebration of 150 Years of PhotographyFilter By Subjects
Classical antiquities Destruction and pillage Cultural property Repatriation California Malibu Cultural property Repatriation Italy J. Paul Getty Museum Corrupt practices Neoclassicism (Art) Outerbridge, Paul Exhibitions Photography History Photography, Artistic Exhibitions Realism in art RomanticismFilter By Series
Images a celebration of 150 Years of PhotographyEvans, Walker
Format: text
Publisher / Publication Date: J. Paul Getty Museum 2001
Copies Available at Woodmere
1 available in Oversize, Call number: OVS 972.91 EVAFelch, Jason.
Summary: Drawing on a trove of confidential museum records and frank interviews, Felch and Frammolino give a fly-on-the-wall account of the inner workings of a world-class museum and tell the story of the Getty's dealings in the illegal antiquities trade. Fast-paced and compelling, "Chasing Aphrodite" exposes the layer of dirt beneath the polished facade of the museum business.
Format: text
Publisher / Publication Date: Houghton Mifflin Harcourt 2011
Copies Available at Woodmere
1 available in Adult Non-fiction, Call number: 930 FELSummary: Using only the words of some of the great photographers, this program seeks to trace "the life-line of the species" (in the words of John Szarkowski of the Museum of Modern Art, New York) Selecting their own favorite photos from contemporary works back to 1839, the producers of this program trace the lineage of photography as art and present a glorious parade of great photographs drawn from the...
Format: software, multimedia
Publisher / Publication Date: Films Media Group 2007
View online at AVOD
Martineau, Paul
Summary: "Paul Outerbridge Jr. (American, 1896-1958) burst onto the photographic art scene in the early 1920s with images that were visually fresh, technically adept, and decidedly Modernist. He also applied his talent for composition to the commercial world, introducing an artist's sensibility to advertisements for men's haberdashery, glassware, and JELL-O for magazines such as Vogue and Vanity Fair....
Format: text
Publisher / Publication Date: J. Paul Getty Museum 2009