Kaplan, James

Summary: "The myth of the ’60s depends on the 1950s being the 'before times' of conformity, segregation, straightness—The Lonely Crowd and The Organization Man. This all carries some truth, but it does nothing to explain how, in 1959, America’s great indigenous art form, jazz, reached the height of its power and popularity, thanks to a number of Black geniuses so legendary they go by one name—Monk,...

Format: text

Publisher / Publication Date: Penguin Press 2024

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