Dillenberger, Jane
Summary: "The first critical examination of Picasso's use of religious imagery and the religious import of many of his works with secular subject matter. Though Picasso was an avowed aetheist, his work employs themes of spirituality -- and, often, traditional religious iconography. In five engagingly written, accessible chapters, the authors address Picasso's cryptic 1930 painting of the Crucifixion;...
Format: text
Publisher / Publication Date: University of California Press 2014
Copies Available at Woodmere
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