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Summary: This program considers the debt Western civilization owes to paganism, Christianity, and Islam, showing how each religion has influenced the other and how the art of all three continues to exert an effect on the world. Highlighting the lifelike sculptures of ancient Greece that celebrate what it is to be human; the primitive daubs in Roman catacombs, shimmering Byzantine mosaics, and...

Format: software, multimedia

Publisher / Publication Date: Films Media Group 2009

View online at AVOD

Summary: Instead of offering an idealized or ennobled vision of humankind, modern art-an instrument of the tumultuous 20th century-communicates chaos, anxiety, and above all, uncertainty. In this program, Matthew Collings contrasts the works of Pablo Picasso with the abstracts of Paul Klee and Piet Mondrian and the architecture of Le Corbusier; tells how the Nazis tried to eradicate modern art's...

Format: software, multimedia

Publisher / Publication Date: Films Media Group 2009

View online at AVOD

Summary: The idea of using art to explore the human condition rather than the divine was a significant departure from the predominantly religious artwork that preceded this secular revelation. In this program, Matthew Collings seeks the first glimmerings of humanist art in the Italian Renaissance-particularly in the works of Giotto and Leonardo da Vinci. He also contrasts two 18th-century artists who,...

Format: software, multimedia

Publisher / Publication Date: Films Media Group 2009

View online at AVOD

Summary: For thousands of years, artists were anonymous, yet today they are frequently honored as celebrities. How did this change in perspective come about? This program tracks the cultural evolution of art-from the ancient Greeks to the modern world, where art is big business-and addresses the technological changes that have fueled various artistic revolutions down through the centuries. Featured...

Format: software, multimedia

Publisher / Publication Date: Films Media Group 2006

View online at AVOD

Summary: Throughout history, one type of individual has instinctively grasped art's power to persuade and manipulate-and indeed, images have become at least as deadly as swords or guns in the hands of political and military leaders. This program revolves around a basic question: when did art mutate from a vehicle of the imagination into a tool of the ruler? Beginning in Britain, the program looks at the...

Format: software, multimedia

Publisher / Publication Date: Films Media Group 2009

View online at AVOD

Summary: Vincent Scully is arguably the best-known living art historian in the United States today. This program explores the phenomenon of Scully, tracing his connection to New Haven, where he was born, and to Yale from the time he entered as a freshman in 1936 to the present. It follows the arc of his interests in classical art and architecture to American architecture, historic preservation, and...

Format: software, multimedia

Publisher / Publication Date: Films Media Group 2010

View online at AVOD

Summary: Industrialization in the 19th century, and the widespread human exploitation and personal alienation that characterized it, produced a crisis of faith and shook people's confidence in the very concept of civilization. In this program, Matthew Collings follows in the footsteps of John Ruskin, a social critic who interpreted the ills of his era and believed that art could salve, and perhaps even...

Format: software, multimedia

Publisher / Publication Date: Films Media Group 2009

View online at AVOD

Summary: When it comes to depictions of the human form, art history reveals something strange: we prefer images that don't look like us. This program seeks to understand why unrealistic figures are so prominent throughout the evolution of painting and sculpture. Beginning with the Venus of Willendorf, one of the oldest representations of the body ever found, the film explores stimulus-and-response...

Format: software, multimedia

Publisher / Publication Date: Films Media Group 2009

View online at AVOD

Summary: Art may represent a quest for beauty and perfection, but throughout history it has also explored a terrifying realm of doom, decay, and darkness. This program delves into the age-old human compulsion to surround ourselves with images of death. Starting with the Neolithic relics known as the Jericho Skulls, the film identifies a pattern of morbidity and death fetishism covering a broad swathe of...

Format: software, multimedia

Publisher / Publication Date: Films Media Group 2009

View online at AVOD

Summary: No storytelling medium is more powerful than the modern movie-but the ability to inspire and entertain by combining words and pictures is hardly a recent phenomenon. This program reveals the age-old roots of the cinematic narrative form and their evolution over the centuries. Beginning in the ancient Mesopotamian city of Nineveh, the film points to the Epic of Gilgamesh as one of the earliest...

Format: software, multimedia

Publisher / Publication Date: Films Media Group 2009

View online at AVOD

Summary: Divided into nine sections, this illuminating program investigates the influence of humanism on European painting, sculpture, and architecture by comparing the styles of well-known works of Renaissance art. Among the many treasures discussed are Benozzo Gozzoli's Procession of the Magi, in the chapel of the Palazzo Medici, Florence; Donatello's Annunciation and Bernardo Rossellino's tomb of...

Format: software, multimedia

Publisher / Publication Date: Films Media Group 2005

View online at AVOD

Summary: When did we begin to create images and, more importantly, find tangible meaning in them? How did this conceptual leap lay the groundwork for our modern, visually oriented culture? This program investigates when and why humanity underwent what archaeologists call the "creative explosion" and invented pictorial art. Beginning with the Altamira cave paintings in Spain, the film addresses questions...

Format: software, multimedia

Publisher / Publication Date: Films Media Group 2009

View online at AVOD

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